Virginia woolf

Virginia Woolf.

In 1878, Leslie Stephen and Julia Jackson Duckworth married, a second marriage for both. They gave birth to Adeline Virginia Stephen four years later, on the 25th of January at 22 Hyde Park Gate, London. Virginia was the third of their four children. Leslie Stephen began his career as a clergyman but soon became agnostic and took up journalism. He and Julia provided their children with a home of wealth and comfort.Though denied the formal education allowed to males, Virginia was able to take advantage of her father's abundant library and observe his writing talent, and she was surrounded by intellectual conversation. The same year Virginia was born, for instance, her father began editing the huge Dictionary of National Biography. Virginia's mother, more delicate than her husband, helped to bring out the more emotional sides of her children. Both parents were very strong personalities; Virginia would feel overshadowed by them for years.Virginia would suffer through three major mental breakdowns during her lifetime, and she would die during a fourth. In all likelihood, the compulsive drive to work that she acquired from her parents, combined with her naturally fragile state, primarily contributed to these breakdowns. Yet other factors were important as well. Her first breakdown occurred shortly following the death of her mother in 1895, which Virginia later described as "the greatest disaster that could have happened." Some have suggested that Virginia felt guilt over choosing her father as her favorite parent. In any case, her father's excessive mourning period probably affected her adversely.Two years later, Virginia's stepsister Stella Duckworth died. Stella had assumed charge of the household duties after their mother's death, causing a rift between her and Virginia. Virginia fell sick soon after Stella's death. The same year, Virginia began her first diary.Over the next seven years, Virginia's decision to write took hold and her admiration for women grew. She educated herself and greatly admired women such as Madge Vaughan, daughter of John Addington Symonds, who wrote novels and would later be illustrated as Sally Seton in Mrs. Dalloway.Her admiration for strong women was coupled with a growing dislike for male domination in society. Virginia's feelings were likely affected by her relationship to her stepbrother, George Duckworth, who was fourteen when Virginia was born. In the last year of her life, Virginia wrote to a friend regarding the shame she felt when, at the age of six, she was fondled by George. Similar incidents recurred throughout her childhood until Virginia was in her early twenties. In 1904 her father died, shortly after finishing theDictionary and receiving a knighthood. Though freed from his shadow, Virginia was overcome by the event and suffered her second mental breakdown, combined with scarlet fever and an attempted suicide.When she recovered, Virginia left Kensington with her three siblings and moved to Bloomsbury, where she began to consider herself a serious artist. She immersed herself in the intellectual company of her brother Thoby and his Cambridge friends. This group, including E.M. Forster and Lytton Strachey, later formed what was known as the Bloomsbury Group, under the Cambridge don G.E. Moore. They were dedicated to the liberal discussion of politics and art. In 1906, Thoby died of typhoid fever and Virginia's sister married one of Thoby's college friends, Clive Bell. Virginia was on her own.Over the next four years, Virginia would begin work on her first novel, The Voyage Out (1915). In 1909, she accepted a marriage proposal from Strachey, who later broke off the engagement. She received a legacy of 2,500 pounds the same year, which would allow her to live independently. In 1911, Leonard Woolf, another of the Bloomsbury Group, returned from Ceylon, and they were married in 1912. Woolf was the stable presence Virginia needed to control her moods and steady her talent. He gave their home a musical atmosphere. Virginia trusted his literary judgment. Their marriage was a partnership, though some suggest their sexual relationship was nonexistent.Virginia fell ill more frequently as she grew older, often taking respite in rest homes and in the care of her husband. In 1917, Leonard founded the Hogarth Press to publish their own books, hoping that Virginia could bestow the care on the press that she would have bestowed on children. (She had been advised by doctors not to become pregnant after her third serious breakdown in 1913. Virginia was fond of children, however, and spent much time with her brother's and sister's children.) Through the press, she had an early look at Joyce's Ulysses and aided authors such as Forster, Freud, Isherwood, Mansfield, Tolstoy, and Chekov. She sold her half interest in 1938.Before her death, Virginia published an extraordinary amount of groundbreaking material. She was a renowned member of the Bloomsbury Group and a leading writer of the modernist movement with her use of innovative literary techniques. In contrast to the majority of literature written before the early 1900s, which emphasized plot and detailed descriptions of characters and settings, Woolf's writing thoroughly explores the concepts of time, memory, and consciousness. The plot is generated by the characters' inner lives, not by the external world.In March 1941, Woolf left suicide notes for her husband and sister and drowned herself in a nearby river. She feared her madness was returning and that she would not be able to continue writing, and she wished to spare her loved ones.Over the course of her many illnesses, however, Woolf had remained productive. Her intense powers of concentration had allowed her to work ten to twelve hours writing. Her most notable publications include Night and Day, The Mark on the Wall, Jacob's Room, Monday or Tuesday, Mrs. Dalloway, To The Lighthouse, Orlando, A Room of One's Own, The Waves, The Years, and Between the Acts. In total, her work comprises five volumes of collected essays and reviews, two biographies (Flush and Roger Fry), two libertarian books, a volume of selections from her diary, nine novels, and a volume of short stories.

CHARACTERISTICS_OF_MODERNIST_LITERATURE (1900-1950)

#CHARACTERISTICS_OF_MODERNIST_LITERATURE (1900-1950)

The Modern Age began as a time of new ideas, hope, creativity and curiosity. Then it became fearful, violent, but also with anger and mourning. Pride and fun suddenly became seen-yet was quickly replaced by struggle and again, fear. Fear became seen throughout the rest of those 50 years. The Modern Age began with high hopes, but ended with seemingly crushed dreams. The following is a list of the nine most important events of the 1900 to 1950, and how they impacted literature.
1) Industrialism: This concept became one that our world had already been introduced too, but by the early 1900's, to a new level. More and more factories popped up in cities and more and more people began working for them. This changed literature because the way of life people were used too changed too.
2) Post-Impressionism/Cubism: While this was an art movement in Europe, it also highly affected literature and the world. People began seeing the world in a new way. These art pieces and all cultural pieces including literature and music- highly showed how the world was thinking differently and changing. "The White Peacock" by D.H. Lawrence is said to be an example of post-impressionistic literature.
3) World War One: By 1914, the first World War had broke out. The world was in mourning of its losses, and in anger against its enemies. Literature highly changed during this time, and trench poets began emerging. One of the most regarded and remembered "trench poem" is Flander's Fields, by John McCrae.
4) Women's Rights: During the first World War, woman began showing their strength and helping in place of the fighting men. This lead to the Women's Rights movement. All over the world, women began fighting for their right to vote. The date women received the vote, is different in many countries-but in Canada, 1919 was the year all women received the vote-except for Quebec, who received the vote in 1940. Female authors like Nellie McClung not only championed for the effort, but also had their ideas reflect in their writings. 
5) New Political Parties: During the early 1900's, the forms of government kept in place for years were being changed. In Russia, the Russian Revolution occurred and the Bolshevik party came into power. In Italy and Germany, both countries suddenly had dictators (Mussolini and Hitler, respectively) and China became communist. This change shocked the democratic world and would become much more important in later years. Writers like Hugh McLennan and George Orwell showed their viewings on these issues, in their writing.
6) The Great Depression: On October 29th, 1929-the Wall Street Market crashed. For the decade to come, everyone would be scrapping up money to survive and hope to live on. Many people lost jobs and many dreamed of going to new places for new things. John Steinbeck wrote about doing so in "The Grapes of Wrath".
7) Spanish Civil War: While many countries were dealing with political changes, many countries were also facing civil war. Spain, was one of the them. And this war was not captured in literature better than in Ernest Hemingway's "For Whom the Bell Tolls".
8) World War Two: Because of Hitler's unethical and immoral ways, the world went to war for a second time, in 1939. Just like in the first World War, authors were influenced. But they were not just intrigued by the war, but the antisemitism and Holocaust, as well. Writers like A.M. Klein (who wrote about Antisemitism in his poem, "Autobiographical"), again were influenced.
9) Nuclear Age: Just before the Second World War fully come to a close in the summer of 1945, the Americans bombed Nagasaki and Hiroshima with nuclear atom bombs. The devastation was horrifying. It also brought upon a new fear of this happening everywhere. Many books to follow centered around a nuclear holocaust, including George Orwell's, "1984".

Medusa myth

Medusa

Medusa, one of three sisters in Greek mythology known as the Gorgons, had a destructive effect upon humans. In many myths, she appeared as a horribly ugly woman with hair made of snakes, although occasionally she was described as being beautiful.

In both forms, Medusa's appearance was deadly: any person who gazed directly at her would turn to stone.Although the two other Gorgons were immortal, Medusa was not. One of the best-known legends about her tells of how the Greek hero Perseus killed her. Perseus and his mother, Danaë, lived on the island of Seriphos, which was ruled by King Polydectes. The king wanted to marry Danaë, but Perseus opposed the marriage. Polydectes then chose another bride and demanded that all the islanders give him horses as a wedding gift. Perseus, who had no horses, offered to give Polydectes anything else. Because no man had ever survived an encounter with the Gorgons, Polydectes challenged Perseus to bring him the head of Medusa.With the help of the goddess Athena and a group of nymphs, Perseus obtained special equipment for his task: a sharpened sickle, a cap that made the wearer invisible, and a pair of winged sandals. He also polished his bronze shield so that he could see Medusa's reflection in it and not gaze directly at her. Wearing the magic cap and following Medusa's reflection in his shield, Perseus crept up on the Gorgons. He cut off Medusa's head in one swipe and put it in a bag. The drops of blood that fell from the head turned into Medusa's two sons—Chrysaor and Pegasus—by the god Poseidon.

Postmodern Literature Defined:

Postmodern Literature Defined:

Postmodern literature is a form of literature which is marked, both stylistically and ideologically, by a reliance on such literary conventions as fragmentation, paradox, unreliable narrators, often unrealistic and downright impossible plots, games, parody, paranoia, dark humor and authorial self-reference. Postmodern authors tend to reject outright meanings in their novels, stories and poems, and, instead, highlight and celebrate the possibility of multiple meanings, or a complete lack of meaning, within a single literary work.

Postmodern literature also often rejects the boundaries between 'high' and 'low' forms of art and literature, as well as the distinctions between different genres and forms of writing and storytelling. Here are some examples of stylistic techniques that are often used in postmodern literature:

Pastiche: The taking of various ideas from previous writings and literary styles and pasting them together to make new styles.

Intertextuality: The acknowledgment of previous literary works within another literary work.

Metafiction: The act of writing about writing or making readers aware of the fictional nature of the very fiction they're reading.

Temporal Distortion: The use of non-linear timelines and narrative techniques in a story.

Minimalism: The use of characters and events which are decidedly common and non-exceptional characters.

Maximalism: Disorganized, lengthy, highly detailed writing.
Magical Realism: The introduction of impossible or unrealistic events into a narrative that is otherwise realistic.

Faction: The mixing of actual historical events with fictional events without clearly defining what is factual and what is fictional.

Reader Involvement: Often through direct address to the reader and the open acknowledgment of the fictional nature of the events being described.

Many critics and scholars find it best to define postmodern literature against the popular literary style that came before it: modernism. In many ways, postmodern literary styles and ideas serve to dispute, reverse, mock and reject the principles of modernist literature.

For example, instead of following the standard modernist literary quest for meaning in a chaotic world, postmodern literature tends to eschew, often playfully, the very possibility of meaning. The postmodern novel, story or poem is often presented as a parody of the modernist literary quest for meaning. Thomas Pynchon's postmodern novel The Crying of Lot 49 is a perfect example of this. In this novel, the protagonist's quest for knowledge and understanding results ultimately in confusion and the lack of any sort of clear understanding of the events that transpired.

Postmodern Philosophy:

Postmodern literature serves as a reaction to the supposed stylistic and ideological limitations of modernist literature and the radical changes the world underwent after the end of World War II. While modernist literary writers often depicted the world as fragmented, troubled and on the edge of disaster, which is best displayed in the stories and novels of such modernist authors as Ernest Hemingway, F. Scott Fitzgerald, Gertrude Stein, Albert Camus, Virginia Woolf and Thomas Mann, postmodern authors tend to depict the world as having already undergone countless disasters and being beyond redemption or understanding.

For many postmodern writers, the various disasters that occurred in the last half of the 20th century left a number of writers with a profound sense of paranoia. They also gave them an awareness of the possibility of utter disaster and apocalypse on the horizon. The notion of locating precise meanings and reasons behind any event became seen as impossible.

Postmodern literary writers have also been greatly influenced by various movements and ideas taken from postmodern philosophy. Postmodern philosophy tends to conceptualize the world as being impossible to strictly define or understand. Postmodern philosophy argues that knowledge and facts are always relative to particular situations and that it's both futile and impossible to attempt to locate any precise meaning to any idea, concept or event.

Postmodern philosophy tends to renounce the possibility of 'grand narratives' and, instead, argues that all belief systems and ideologies are developed for the express purpose of controlling others and maintaining particular political and social systems. The postmodern philosophical perspective is pretty cynical and takes nothing that is presented at face value or as being legitimate.

Similarly, at the core of many postmodern literary writer's imaginations is a belief that the world has already fallen apart and that actual, singular meaning is impossible to locate (if it can be said to exist at all), and that literature, instead, should serve to reveal the world's absurdities, countless paradoxes and ironies.

Introduction of existentialism

EXISTENTIALISM :

Existentialism is a movement in philosophy and literature that emphasizes individual existence, freedom and choice. It began in the mid-to-late 19th Century, but reached its peak in mid-20th Century France. It is based on the view that humans define their own meaning in life, and try to make rational decisions despite existing in an irrational universe. It focuses on the question of human existence, and the feeling that there is no purpose or explanation at the core of existence. It holds that, as there is no God or any other transcendent force, the only way to counter this nothingness (and hence to find meaning in life) is by embracing existence.

Thus, Existentialism believes that individuals are entirely free and must take personal responsibility for themselves (although with this responsibility comes angst, a profound anguish or dread), and emphasizes action, freedom and decision as fundamental in rising above the essentially absurd condition of humanity (which is characterized by suffering and inevitable death). For more details, see the section on the doctrine of Existentialism.

Existentialists refuse to belong to any school of thought, repudiating of the adequacy of any body of beliefs or systems, claiming them to be superficial, academic and remote from life. It is a reaction against traditional schools of philosophy, such as Rationalism, British Empiricism and Positivism, that seek to discover an ultimate order and universal meaning in metaphysical principles or in the structure of the observed world.

Existentialism in its currently recognizable form was developed by the 19th Century Danish philosopher Søren Kierkegaard and the German philosopher Friedrich Nietzsche, although neither actually used the term in their work. The Phenomenology of Martin Heidegger was another important influence on the later development of the movement. It can be argued that Georg Wilhelm Friedrich Hegel and Arthur Schopenhauer were also important influences on the development of Existentialism, if only due to Kierkegaard and Nietzsche's opposition to Hegelianism and German Idealism.

Both philosophers considered the role of making free choices on fundamental values and beliefs to be essential in the attempt to change the nature and identity of the chooser. In Kierkegaard's case, this results in the "knight of faith", who puts complete faith in himself and in God, as described in his 1843 work "Fear and Trembling". In Nietzsche's case, the much maligned "Übermensch" (or "Superman") attains superiority and transcendence without resorting to the "other-worldliness" of Christianity, in his books "Thus Spake Zarathustra" (1885) and "Beyond Good and Evil" (1887).

The Phenomenologist Martin Heidegger was an important philosopher in the movement, especially his influential 1927 work "Being and Time", although he vehemently denied being an Existentialist in the Sartrean sense. Other major influences include Max Stirner (1806 - 1856), Karl Jaspers (1883 - 1969) and Edmund Husserl, and writers like the Russian Fyodor Dostoevsky (1821 - 1881) and the Czech Franz Kafka (1883 - 1924).

Existentialism came of age in the mid-20th Century, largely through the scholarly and fictional works of the French existentialists, Jean-Paul Sartre, Albert Camus (1913 - 1960) and Simone de Beauvoir (1908 - 1986), all of whose works popularized existential themes, such as dread, boredom, alienation, the absurd, freedom, commitment and nothingness. Maurice Merleau-Ponty (1908 - 1961) is another influential and often overlooked French Existentialist of the period.

Sartre is perhaps the most well-known, as well as one of the few to have actually accepted being called an "existentialist". "Being and Nothingness" (1943) is his most important work, and his novels and plays, including "Nausea" (1938) and "No Exit (1944), helped to popularize the movement.

In "The Myth of Sisyphus" (1942), Albert Camus uses the analogy of the Greek myth of Sisyphus (who is condemned for eternity to roll a rock up a hill, only to have it roll to the bottom again each time) to exemplify the pointlessness of existence, but shows that Sisyphus ultimately finds meaning and purpose in his task, simply by continually applying himself to it.

Simone de Beauvoir, an important existentialist who spent much of her life alongside Sartre, wrote about feminist and existential ethics in her works, including "The Second Sex" (1949) and "The Ethics of Ambiguity" (1947).

'નારી ' The short poem

   This  poem  raises  the  identity  of  one of  today 's  female's.  And this  poem  relates  to  feminism.  So  This  little  affair I  have  presented  here  in  the  form  of   Gujarati  poetry. 

નારી  છું  હું   પણ  બિચારી  નહી
વ્યવહારી  ખરી  પણ  આવારી  નહીં
સ્નેહ  કરનારી  પણ  નશાકારી  નહીં
ફરજો  મા  રહેનારી  પણ  અરજો ની   અલમારી  નહીં
રુપ ની  મારી  પણ  હવસ ની  બિમારી  નહીં
છે  સહનશીલતા સાથે  મારી  યારી  પણ  એ મારી   લાચારી   નહીં
છે  કાંઇક  કરવાની  ખુમારી  પણ   તે  માટે  હું  કેમ  પરવારી  નહી
છે  મારી  જીદ   પ્રશ્નોત્તરી  ની  પણ  નીકળે છે  તર્ક  તેમાં  એ મારી  ખોટી  લવારી  નહી

                                      Khushali  Dave

'Rang de basanti ' movie review

       The   method  of  observing  independence day  celebrations  in  a  New  way . I  looked  at  'Rang  de  Basanti ' film  on  independence.

                         Mainly  we  are  watching  the  country  related  cinema's  in  the  memory  of  this  freedom day  and  freedom fighters. But  it is  not  necessary.  Like  wise  this  film  has  been  presented  in  the  light  of the   freedom  of  independence  and  it  has also that  then  people not  known  to  the some unknown  freedom fighters. So it  was  information  giving  about the this type  of  hidden freedom fighters.

       'Rang  de  Basanti ' directed by  Rakesh  om  prakash  Mehra  represented  the  similarities  between  the  two  before the  independence  and  the  situation of  independence  after  the  independence.  This  movie  has  compared  the  independence  movement  with  the  current  problems.

              This  movie  has  shown the enthusiasm  of  youth  fighting  for  the  truth  hidden  in  the  youth. In addition  to  this  the  poor  system of the  country's   bad  systems and the  dirty  politics of the system  has  shown the  real   reality. In fact, our  country  is  still  liberated.  The  king   of  freedom  that  the  country  wanted  for  the  country, it  really is  the   persecution of  the  atrocities  done  by  the  British,  today the  rich  and  unpopular  people  of  India  are  trying  to trap themselves  and  the weak people  for  their  positions  and names. Due  to  this the  crime  rate  is  high  in the country  today. 

                                  In  this  movie use  in  flashbacks  technique. The  films  performer's  has  made   the  film  live   from   his   acting  . Such  this  film  has   become  a  mirror of  today's  life  . This  movie  has  become  a  national 

*  this  film  is  reflecting  to the  one   quote

'  A  generation   awakens'

Thanks  ☺

MY ANALYSIS ABOUT THE EXISTENTIALISM

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Khushali Dave

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RESPECTED  SIR

AFTER  WATCHING  THE  EVERY  VIDEO   ABOUT  MY   ANALYSIS IS .......

1)  FIRST  VIDEO  :   IN  THIS  FIRST  VIDEO  IN  EXPLAINED  TO  'WHAT  IS  EXISTENTIALISM? ' THEN  THE  ALL  EXISTENTIALIST  PHILOSOPHERS  ARE  DOES  NOT  CONSIDER  TO  THE  EXISTENTIALISM
: KEY   EXISTENTIALIST  PHILOSOPHER  ARE :
1. FRIEDRICH  NIETZSCHE
2. MARTIN  HEIDEGGER
3.JEAN - PAUL SARTRE
4.SOREN . KIERKEGAARD
5. SIMON DE   BEAUVOIR
6. ALBERT  CAMUS
WELL  IN  THIS  VIDEO  IN  THREE  MOST   IMPORTANT  ASPECT  ARE  FOUND  THAT.
1.  INDIVIDUALITY
2. FREEDOM
3. PASSIONS

2) SECOND  VIDEO :  THEN  ALBERT  CAMUS -  THE  MYTH  OF  SISYPHUS  IS   A  VERY   DEEPLY  RELATED  TO  THE  EXISTENTIALISM .BECAUSE  THIS  MYTH   IS  IN  DISCUSSED  OF  THE  PHILOSOPHICAL  SUICIDE . ALBERT 'S  THINKS  THAT  THE   SUICIDE  IS   A  PHILOSOPHICAL  ELEMENT . BUT  SUICIDE  IS  FREELY   DECIDED ELEMENT  OF  THE  ART . WHEN   THE  IS  DECIDED  TO  THE  FREELY  COMMITTED   TO   SUICIDE . THEN  IN  THIS  MYTH  IS  REEFERS   OF  THE  TWO  IDEAS.

1.  LIFE   IS   MEANINGLESS
2.  REASON  IS   USELESS  AND  THERE  IS   NOTHING   BEYOND   REASON .

3)  THIRD  VIDEO :  IN THIS   VIDEO  IN   EXPLAINED  TO  IDEA  OF   THE  ABSURDITY . THEN  ABSURDITY   IS  RECOGNIZING  TO  THE   NOTHINGNESS  AND  USELESS  REASON . WHEN  THE   HUMANS  ARE  FACING  TO  THE  PROBLEMS  SO  IN  THAT  TIME  HUMAN BEINGS  IGNORING  TO  THE  ABSURDITY  AND  SEARCHING  TO  OWN SELF . THIS METHOD IS  CALLED  TO  THE   PHILOSOPHICAL  SUICIDE.

4)  FOURTH  VIDEO : DADAISM MOVEMENT   IS  RISING  IN  1916. ITS  MOVEMENT  CALLED  TO  'CHANGE' .THE  DADAISM  MEANS  EVERYTHING  IS  CHANGE  AND   MAKES  TO  OWN  FREE  FROM  VALUES  AND  RULES . DADAISM AND  NIHILISM  HAS  NOTHING  TO DO WITH  EACH  OTHER . DADAISM  WAS  RESPONSE  TO  WORLD WAR -2 .

5) FIFTH  VIDEO :  A  GLOOMY  PHILOSOPHY 'S  PART  OF   EXISTENTIALISM . THEN   THE  LIFE'S  PHILOSOPHY  IN  BELIEVING  IN GOD   AND  SEARCH   TO  THE  TRUTH  FOR  YOU  BUT  MOST  IMPORTANT  PART  OF  YOU  JUDGE  TO  EVERY   VALUE  AND  CHOSES  YOUR  OWN  MEANING  IN  LIFE  . YOU  SHOULD  TAKE  TO  ANY  RESPONSIBILITY . THEN  THE  DISCOVER   FOR  YOURSELF .EXISTENTIALISM  RESPONSES TO  THE   ABSURDITY   AND   EMPTINESS  AFTER  THE  SECOND  WORLD  WAR .

6) SIXTH  VIDEO :  EXISTENTIALISM  IS  APPRECIATING  TO   PASSION  , INDIVIDUALITY AND   FREEDOM . ON  THE  OTHER  SIDE THAT  THE  NIHILISM  IS  WAY  OF  OTHERWORLD .SO  EXISTENTIALISM  AND  NIHILISM  BETWEEN   MANY  DIFFERENCES  BUT  BEYOND   THE  WORLD  WHICH  MAY  CONSIDER  AS  AN   ABSURDITY .

7) SEVENTH  VIDEO  :  IN  THIS  VIDEO  IN  DISCUSSING   ABOUT  THE  INTRODUCTION  OF  EXISTENTIALISM .EXISTENTIALISM  MEANS  THE  HUMANS  ARE   BELIEVING  TO  SUPERNATURAL  POWER . BECAUSE  THE  HUMANS  ARE  HAVE  ABLE  TO  MAKE  FREE  CHOICES  AND  GROWING  TO  OWN  VALUES AND  TAKE  TO  RESPONSIBLE.

8) EIGHTH  VIDEO :  IN  THIS   VIDEO  EXPRESSED  TO  VIEW  OF  NIETZSCHE  . THEN  NIETZSCHE  POINT  OF  THAT  : WHY  HUMANS  ARE  FOLLOWING   THE   RULES  OF  THE  SOCIETY , AND  SOCIETY  WERE  MADE  BY   HUMANS , WHEN HUMANS  HAVE  OUR  OWN  RULES  AND  IDEAS , SO  THEY  ARE   USING  TO   OWN  PERSPIRATION . SO  NOT  ONLY  FOLLOW  TO  THE  MORALITY  BUT  MAKE  TO  OWN  RULES .


9) NINTH  VIDEO :  THEN  ERIC DODSON  WAS  PERSONALLY   LIKE  TO EXISTENTIALISM . THERE DODSON   POINT  OF   VIEW  THAT  EXISTENTIALISM  IS  EVERY  DAY  LIFE  . BECAUSE   IN  WHICH  THE  HUMANS   ROUTINE  LIFE  IS  TEACHING  TO  THE  EXISTENTIALISM ., THE  HUMANS  MIND  OF  TWO  PARTS . IN THIS  FIRST  PART  IS  WAY  OF  THINKING ACTIVITY . AND    THE   SECOND  PART   IS  WAY  OF  EXISTENTIALISM . WERE  THE  EXISTENTIALISM  LIVE OF  THE  HUMANS MIN D  AND  HEART . THEN   THE  MIND  WAS  GOT  TO THE  THINKING  OF  REFRESHMENT  AND  HEART   GOT  TO THE   DEEPLY  UNDERSTAND TO  THE   LIFE  OF  CURIOSITY  . MANY  IMPORTANT  THOUGHT THAT  : WHAT  DO  YOU  THINK ?


10)  EXISTENTIALISM  AND  ESSENTIAL ISM   IS  BOTH  ARE  THEM  THE  CLOSELY  CONNECTED . THEN  ESSENTIAL ISM   IS  EXPRESSED  TO  ESSENCE   OF   THE   HUMANS  OWN  EXPECT . WELL PLATO AND  ARISTOTLE   VIEW  THAT   EVERYTHING  IS  IN  ESSENCE  AND  THE  ABSURDITY  THE  SEARCH  FOR  ANSWER  IN  AN  ANSWER LESS  WORLD..

ANSWER  2 .  MY  FAVORITE  VIDEO  - 8  ,BECAUSE   THIS  VIDEO  IN  EASILY  EXPLAIN  TO  THE  IDEA  ABOUT  THE  EXISTENTIALISM, AND  THIS  VIDEO  IN  SHOW THAT  LITTLE  KIDS  IS  A  VERY  ATTRACTIVE. WELL  ALL  KIDS  ARE  VERY  CUTE .

ANSWER 3 .  YES  THEN  FLIPPED  LEARNING   TECHNIQUE  IS  A  VERY  USEFUL  ME  BECAUSE  IN  THIS  METHOD  THREW  I  WAS  LEARNING  TO  VERY  FAST  AND  EASILY . WHEN  THIS  FLIPPED LEARNING  VIDEO IS  PROVIDED  TO  MATERIAL  OF  THE  TASK .


THANK   YOU .      

Review of one act play ''Digdarshak''

Hello  readers 

                  This  '' Digdarshak'' is   a  one   act   play  and  then  This  play  is  performed  in   to  the  Hindi  language.

               The   play 's  title  '' Digdarshak '' is  provide of   the   This  Drama's  central  theme.  Thus, the  play   is  resolving  the  relationship between  stage and  cinema.  The  play is  the  main  supporting  person of  director.  Because  a  director  only  performs one of  the   best  and  satisfied  play.  This uplifting  director  keeps  alive  the  characters  of  the  literature  . Future  stars make  preparations.  He  spent  his  entire  life  behind this  stage.
                           So  in  This way  ,a   director  contributes  , his  life  to  play and  cinema.  The  director  is  the artist  behind  the  stage.

I  would  like  to  share  my  own creation of  one  formula.

Literature  #  drama #  stage # artist :  cinema. 

           At  that  time's in  famous  actor's  are  started  his  own  success  since  the   drama stage .

                 At   the   end  the   play  ''Digdarshak ''  expresses  the   life  of  a  director  and  his   feelings about   the   theatre.  The  director 's  life  is  to  understand  and  reproduce  the  art. The  drama  also  makes a  lot   of   comparison  between  cinema and  theatre.

    At   the   end  theatre's  remains alive   forever. 
  
                           Thanks ☺